Press reviews

A VERY IMPRESSIVE PERFORMANCE ... Rather, the artists painted the work in a few colours, but these began to glow in the surrounding grey of the concrete from the very first tones. .. The concert was an extremely fine sound experience, many elements of which will reverberate in the ear for a long time to come ... the brilliant playing of Meike Herzig, who accompanied the individual songs with different recorders ... and lifted them to a climax with radiant transitions.
Kölner Rundschau

Les flutists (Meike Herzig, Dorothee Oberlinger) sont merveilleuses, techniciennes époustouflantes et musiciennes autant que faire se peut, le son de leur instrument, notament à la plage 18,est paradisiaque.
le Monde de la musique

What a firework display of rapid playing technique. The flautists (Meike Herzig, Dorothee Oberlinger) almost seemed to be bantering with the music and the audience, full of a joy of playing. When else do you hear recorders so dynamically variable... Such ‘distant’ music can come so close when it is filled with life. The likeable artists succeeded in doing just that.
Ostthüringer Zeitung

The appeal of the mysticism of this music, which made its way through the old nave in a strangely similar and ostinato manner and yet with a degree of tension that was at times almost unbearable, was coupled with the congenial imagination that the artists (Bois de Cologne) displayed in their interpretation. .. Much applause for a successful concert!
Heidenheimer Zeitung

EPOCHAL: SOUND CLEARS THE SOUL ... How voice and flute now grow apart over the drone of the hurdy-gurdy, flow together, besiege each other in long dissonances in order to fade away together and unpredictably, is not only the greatest art of the two wonderful interpreters (Meike Herzig, Maria Jonas), but also makes visible how music is created in the first place: from breath, concentration and sensitivity. In an ideal case like this, this together results in the greatest complexity in the greatest simplicity, a kind of jewellery of simplicity, straightforwardness through evasions. And the effect of this music is extraordinary. It makes you feel your own soul, and you realise how it is cleansed layer by layer of the dross of the current, the unimportant, the banal. .... This is much more than can actually be expected from a concert.
Rheinische Post